Manjushree Thapa
Politics often seems like the  only story in town. No matter whether you're a businessperson or an artist, a  student or a shopkeeper, you can't escape the constant buzz of 'what's  happening,' meaning what's happening in politics: the latest about disarmament,  Girija's health, SPA unity, Ian Martin's findings, Prachanda's watch and home  furnishings, the Madhes, the Janajatis, the absence of a women's movement, the  Dalits, the cantonments, the antics in Parliament, the disappeared truth and  reconciliation, bandas and anti-banda initiatives, the exhumation of bodies, the  constituent assembly elections  will they happen in June?  
When I began this arts and  literature column, more than a year ago, I received irate notes from friends,  demanding to know what was I doing ignoring the only one story in town:  politics. 
But in fact the arts and  literature offer more illumination into 'what's happening' than do the  pronouncements of a thousand politicians. For these pronouncements are but  stories they are weaving, stories whose truth they hope to convince others, and  also themselves, about. Day by day, we are witnessing a fierce rhetorical  struggle to imagine the country anew. The assumption is, he  or she  whose  story drowns out all others will shape the New Nepal. 
The problem is, these stories are  emerging from parallel universes. 
Take the Panchayat-era  conservatives. For them, what's happening is nothing less than the falling of  the sky: Only the monarchy can save patriarchal high-caste 'hilly' Hindu  nationalism now. From the study of biogeography, we know that ancient strains of  flora and fauna thrive best in isolation, due to an absence of competition.  Similarly, ancient logics have thrived in isolation in 
For the excluded majority  the  Janajatis, Dalits, women and Madhesis  though, what's happening is the opening  up of the nation  or the possibility of its opening up, at last. They do not  want the peace process to be the exclusive deign of the SPA leaders, who have  persistently tried to preserve patriarchal high-caste 'hilly' Hindu nationalism,  especially when useful to themselves. 
From the standpoint of the  excluded majority, then, the failure of an exclusivist peace process is good  news, as long as it leads to a new, inclusive peace process: Peace Process  II.
The SPA leaders, meanwhile,  remain the most inscrutable people in the country. At the district and local  levels, party leaders tend to be frank and forthright, pragmatic and competent.  At the center, though, they turn enigmatic. They say one thing, and do another;  so pathologically paralyzed are they by their conflicting class / caste / family  / cultural / philosophical / institutional loyalties, one wishes for them only  the opportunity for early retirement, and psychotherapy. 
By contrast, it is quite clear  that the Maoists' faith in their own historical inevitability remains unshaken.  Last November, at the Sahajpur sub-cantonment in Kailali, a Maoist soldier told  me, in a surreally personable chat, about his part in the war. He had been  involved in the attack on the Achham barracks, and had gunshot wounds to the  neck, chest and arms as testament. When he mentioned that he was originally from  Kalikot, I brought up Kotbada: the army, chasing down the assailants of the  Achham attack, had massacred innocent laborers there. For some reason I thought  he would feel responsible, in part, for the massacre, or at least remorseful.  
But he felt only indignation. He  launched into a story  impossible to know if it is true, but he clearly  believed it  of a soldier who deserted the army after the massacre, in protest,  only to be killed by soldiers from his own barracks. "He became a legend," he  said. "He proved that this is a criminal state. It makes me sick just to think  of that slaughter. They killed those men like animals," he said. "There was  blood all over the ground  they say the earth is still red there."  
No mention, in all this, of the  blood he so willingly spilled in Achham.   
Parallel universes, again.  
So long as each group, above,  tells/hears only its own story, there can be no common narrative for New Nepal.  All we will have  all we have now  are many short stories, whereas what we  need is akin to a novel: a vast, dialogical narrative that weaves every group's  concerns together, into a shared universe. 
The only way to write such a  narrative is to include everyone in its drafting. The time is right, now, for  everyone to sit down at a nice, big round table, and to talk, talk, talk  not  past each other, but with each other  to come up with the story of us  all.
 
 
 
 
 
 
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